Radiant Sequence is inspired by phyllotaxis — the mathematical logic through which leaves, seeds and petals arrange themselves around a growing centre.
I was interested not in reproducing a flower or another natural form, but in extracting the invisible system behind it. A simple rule of growth becomes a field of thousands of individual marks, expanding outward while preserving an underlying order.
The composition exists between the organic and the computational. Its radial structure recalls seeds, cells and microscopic growth, while the repeated coloured strokes can also be read as signals, particles or data escaping from a central source.
For me, the work reflects one of the central ideas of SKVO: nature and algorithms are not opposites. Both can be understood as systems capable of producing complexity through repetition, variation and time.
What appears spontaneous is built from order. What appears mechanical begins to feel alive.