Explores algorithmic drawing system through custom-built plotters, robots and traditional artistic tools
Convergence - Geometric Art
In Convergence, I use Truchet tiles as a system of spatial compression. Large modules begin at the outer edges of the composition and gradually shift into tiles half their size toward the centre. This change of scale creates a sense of depth, inward movement, and perspective, even though the work remains entirely flat.
For me, Convergence is an image of concentration. Repetition, rhythm, and fragmented order are drawn into a central point of tension. Gold lines on a black surface become traces of light moving inward. Geometry is no longer ornament; it becomes a way to show perception moving from surface to depth, from controlled chaos to a condensed form.
For me, Convergence is an image of concentration. Repetition, rhythm, and fragmented order are drawn into a central point of tension. Gold lines on a black surface become traces of light moving inward. Geometry is no longer ornament; it becomes a way to show perception moving from surface to depth, from controlled chaos to a condensed form.
Plotted on paper
Convergence - 1
Artwork
Size: 700 x 1000 mm / 27.5 x 39.4 inch
ID: sv-0023-as-2026
Type: Limited edition, Hand signed, COA
Tools: Molotow acrylic markers (1 colour)
Ink type: Molotow
Materials: Paper, Clairefontaine, Noir, 70x100cm 300g/m², Black
Frame: Unframed
Convergence - 2
Artwork
Size: 700 x 1000 mm / 27.5 x 39.4 inch
ID: sv-0023-bs-2026
Type: Limited edition, Hand signed, COA
Tools: Molotow acrylic markers (1 colour)
Ink type: Molotow
Materials: Paper, Clairefontaine, Noir, 70x100cm 300g/m², Black
Frame: Unframed
Convergence - 3
Artwork
Size: 700 x 1000 mm / 27.5 x 39.4 inch
ID: sv-0023-cs-2026
Type: Limited edition, Hand signed, COA
Tools: Molotow acrylic markers (1 colour)
Ink type: Molotow
Materials: Paper, Clairefontaine, Noir, 70x100cm 300g/m², Black
Frame: Unframed
Macro
Golden Truchet — Convergence
Golden Truchet — Convergence uses the logic of Truchet tiles to create the illusion of spatial compression on a completely flat surface. Large modules dominate the outer field, while smaller tiles accumulate toward the centre, where the geometry becomes denser and more concentrated. Gold-toned lines on black behave like traces of light pulled inward by an invisible force. The result is geometric abstract art in which scale, repetition, and symmetry transform a modular pattern into an experience of depth.
Rather than treating geometry as ornament, Convergence uses it as a perceptual system. The eye moves from the edges toward the centre, following repeated curves, arches, loops, and circular structures. What begins as controlled repetition gradually becomes a visual field of pressure, rhythm, and condensed order.
Rather than treating geometry as ornament, Convergence uses it as a perceptual system. The eye moves from the edges toward the centre, following repeated curves, arches, loops, and circular structures. What begins as controlled repetition gradually becomes a visual field of pressure, rhythm, and condensed order.
Geometric Line Art That Creates Focus, Depth, and Visual Tension
The emotional effect of Convergence is one of concentration. The dense central structure acts almost like a gravitational point, drawing attention inward while the outer modules maintain a broader rhythm.
As geometric line art, the work feels both meditative and intense. Repetition creates stability, while changing scale introduces tension. The viewer senses movement without any literal motion. This contrast between stillness and compression gives the composition its psychological force.
As geometric line art, the work feels both meditative and intense. Repetition creates stability, while changing scale introduces tension. The viewer senses movement without any literal motion. This contrast between stillness and compression gives the composition its psychological force.
Modern Geometric Wall Art for Minimalist and Architectural Interiors
Convergence works especially well in minimalist, modernist, Bauhaus-inspired, industrial, and contemporary interiors. Its rigorous structure complements spaces defined by clean lines, strong proportions, and carefully controlled materials.
As modern geometric wall art, it can become a focal point against white plaster, concrete, black steel, smoked glass, walnut, or pale stone. Its visual density adds complexity without requiring figurative imagery.
As modern geometric wall art, it can become a focal point against white plaster, concrete, black steel, smoked glass, walnut, or pale stone. Its visual density adds complexity without requiring figurative imagery.
Abstract Wall Art for Black, Gold, Charcoal, and Warm Neutral Palettes
The strongest interior colors for this artwork are black, charcoal, graphite, warm white, limestone, taupe, sand, and deep brown. Brass, antique gold, muted olive, smoked oak, and walnut can reinforce the warm linear quality of the composition.
Because the image already has powerful contrast, the surrounding palette is most effective when restrained. This allows the geometric pattern artwork to remain the principal source of visual energy.
Because the image already has powerful contrast, the surrounding palette is most effective when restrained. This allows the geometric pattern artwork to remain the principal source of visual energy.
Contemporary Wall Art for Living Rooms, Offices, Studios, and Hospitality Spaces
In a living room, Convergence can anchor a large wall above a sofa, console, or fireplace. In a home office, library, or design studio, its system-based logic can strengthen an atmosphere of focus and intellectual clarity.
The work is also suitable for architecture practices, creative offices, galleries, boutique hotels, restaurants, cafés, reception areas, and private clubs. In entrance halls or staircases, its inward movement can create a particularly strong sense of spatial transition.
The work is also suitable for architecture practices, creative offices, galleries, boutique hotels, restaurants, cafés, reception areas, and private clubs. In entrance halls or staircases, its inward movement can create a particularly strong sense of spatial transition.
Contemporary Geometric Abstraction for Collectors of Escher, Vasarely, Riley, and LeWitt
Convergence may appeal to collectors interested in M. C. Escher’s spatial paradoxes, Victor Vasarely’s optical systems, Bridget Riley’s perceptual rhythm, and Sol LeWitt’s rule-based abstraction. Frank Stella’s repeated bands and architectural geometries offer another complementary reference.
These connections are conceptual rather than imitative. The work belongs to a broader tradition of contemporary geometric abstraction in which repetition, modularity, perception, and scale become the subject of the artwork itself.
These connections are conceptual rather than imitative. The work belongs to a broader tradition of contemporary geometric abstraction in which repetition, modularity, perception, and scale become the subject of the artwork itself.
What This Modern Abstract Geometric Art Says About Its Owner
Choosing Convergence suggests an owner who values structure, complexity, and visual intelligence. It may indicate an interest in architecture, mathematics, systems, design, and art that rewards sustained observation.
This is modern abstract geometric art for someone who prefers controlled intensity over decorative excess. The work suggests discipline, curiosity, and an attraction to the moment when order becomes perceptual experience. Convergence does not simply occupy the wall; it reorganizes the viewer’s attention around a central point of tension.
This is modern abstract geometric art for someone who prefers controlled intensity over decorative excess. The work suggests discipline, curiosity, and an attraction to the moment when order becomes perceptual experience. Convergence does not simply occupy the wall; it reorganizes the viewer’s attention around a central point of tension.
